Pop Art and the Origins of Post-Modernism
Sylvia Harrison
Pop Art and the Origins of Post-Modernism examines the critical reception of Pop Art in America during the 1960s. Comparing the ideas of New York-based critics such as Leo Steinberg, Susan Sontag, and Max Kozloff, Sylvia Harrison demonstrates how their ideas bear a striking similarity to the body of thought and opinion now associated with deconstructive postmodernism. Pop Art thus arises as not only a reflection of the dominance of mass communications and capitalist consumerism in postwar American society, but also a subversive commentary on worldviews and the factors necessary for their formation
Categories:
Year:
2001
Edition:
1st
Publisher:
Cambridge University Press
Language:
english
Pages:
280
ISBN 10:
0511497687
ISBN 13:
9780521791151
Series:
Contemporary Artists and Their Critics
File:
PDF, 1.64 MB
IPFS:
,
english, 2001
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